Genre: Score Date: 1997 (1995) Country: UK Audio codec: MP3 Quality: 320 kbps Playtime: 01:08:08 01. Prologue: ‘I shall tell you of William Wallace’ (Robert the Bruce) 02. Outlawed Tunes on Outlawed Pipes 03. The Royal Wedding (Robert the Bruce) 04.

‘The trouble with Scotland’ (King Edward the Longshanks) 05. Scottish Wedding Music 06. Prima Noctes 07. The Proposal (William Wallace and Murron) 08.

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‘Scotland is free!’ (William Wallace) 09. Point of War / Johnny Cope / Up in the Morning Early 10. Coversing with the Almighty (Stephen, William Wallace, Hamish, Campbell) 11. The Road to the Isles / Glendaural Highlanders / The Old Rustic Bridge by the Mill (Traditional) 12.

‘Sons of Scotland!’ (William Wallace) 13. Vision of Murron 14. ‘Unite the clans!’ (William Wallace) 15. The Legend Spreads (Scottish Highlanders) 16. ‘Why do you help me?’ (William Wallace and Princess Isabelle) 17. For the Love of a Princess 18.

‘Not every man really lives’ (William Wallace and Princess Isabelle) 19. ‘The prisoner wishes to say a word’ (The Executioner and William Wallace) 20. ‘After the beheading’ (Robert the Bruce) 21. ‘You have bled with Wallace!’ (Robert the Bruce) 22. Warrior Poets (William Wallace) 23. Scotland the Brave / The Badge of Scotland / The Meeting of the Waters 24. Leaving Glen Urquhart / The Highland Plaid / Jock Wilson’s Ball 25.

Kirkhill / The Argyllshire Gathering / The Braemar Highland Gathering.

“The score for BRAVEHEART helped to further establish James Horner as one of Hollywood's most prolific and sought after movie maestros. The score offers innocence, beauty, tragedy, brutality and ultimately victory. A score which so effectively communicates such a gamut of emotions is rare and is what has helped to cement its place as one of the Nineties' top scores.” Not the Now Review by Christopher Coleman Composed, Conducted, Orchestrations by James Horner Performed by the London Symphony Orchestra Released by London Records 1995, 1997 If James Horner ever wrote a shoe-in for an Oscar, surely it was BRAVEHEART. Ah, the irony known as The Oscars! As Mel Gibson's BRAVEHEART racked in Oscar after Oscar, surely composer James Horner would bring in the coveted prize - finally. As we know, it was not meant to be for 1995, but, as we further know, Horner would finally receive some recompense.

Two years later Horner would bring home that trophy, for this ultra-popular score to TITANIC. The score for BRAVEHEART represents the very best of James Horner. 1995 was, arguably, the composers best year. Not only did BRAVEHEART find itself nominated for best score but so did Horner's APOLLO 13.

For many, BRAVEHEART remains one of their most beloved Horner compositions, if not their all-time favorite. This Celtic sound would go on to permeate several of Horner's later scores including: THE DEVIL'S OWN, and TITANIC. The original 1995 release of BRAVEHEART provided film music fans with the best moments of the memorable film, but the demand for even more of the music warranted a second release two years later. MORE MUSIC FROM BRAVEHEART mixed dialogue with previously released tracks, added several unreleased cues, and threw in an over-abundance of traditional Scottish tunes.

It would also set a pattern for Titanic's own follow up release, BACK TO TITANIC. James Horner tapped into the very best of his talent in helping to bring Director/Star, Mel Gibson's, vision come to life. Horner draws upon the expansive, majestic sound of LEGENDS OF THE FALL, and the heroic and celtic-influence of PATRIOT GAMES.

The story of the peaceable, Scottish farmer turned rebel and freedom-fighter, William Wallace, demanded a clever recipe of such ingredients and James Horner mixed and melded them together without hitch. The score for BRAVEHEART helped to further establish Horner as one of Hollywood's most prolific and sought after movie maestros. The score offers innocence, beauty, tragedy, brutality and ultimately victory. A score which so effectively communicates such a gamut of emotions is rare and is what has helped to cement its place as one of the Nineties' top scores.

The original BRAVEHEART begins with the memorable main title that introduces us to the film's main theme played spotlessly on the bagpipes. The second release gives us a more complete and preferable version of this piece, if one is able to tolerate the narration. The original release of the soundtrack was certainly sufficient as it captured the important themes and moments of the movie most adequately. The original release flowed very well and is one of the easiest soundtracks to listen to straight through. The thing that truly separates this release from its successor is the final track. Track 18, End Titles, is simply the best cue found on either disc and I would say if one had to choose between the two, purchase the first volume simply for this track. Earthquake 3d enhanced edition v355 1. While the themes contained in the End Titles can be found elsewhere on the More Music.