Tribeca Film Festival 2016: Madly. At least the anthology's final short, I Do, the directorial debut of Bat for. The Tribeca Film Festival runs from April 13—24.

More Reviews Kashyap found the perfect apartment to shoot it all, with a birdcage-style balcony reinforcing Archana’s trophy-like status: She’s meant to be seen (fully clothed, of course) but denied independence. Allwyn, probably only a decade younger but fluent in internet temptations, is carnally more aware yet lacks experience, plus he has youth’s selfishness. The performances are especially strong during this segment. Wasikowska’s “Afterbirth” is a more sensory film, featuring a young woman (Kathryn Beck) full of love for her newborn son but completely unequipped to be a mother. Lacking any know-how and apparently completely alone in the world, she looks with covetous wonder at other new parents. The helmer, in her second omnibus short, uses a montage style of impressionistic counterpoint, juxtaposing full-screen images in Academy ratio to convey mood and a sense of an interior life otherwise not obvious in this strange, and strangely quiet, woman. Musical choices, including Melanie Safka’s “Brand New Key,” perfectly suit the quirky material.

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“Dance Dance Dance” is more straightforward, with occasional clumsy moments. Bronx teen Rio (Lex Santos) meekly tries to kiss older show-off friend Diami (Antonio Stewart), who flips.

Dejected, Rio returns home and blurts out to his religious parents that he’s gay, whereupon his father (Marshall Brandon) kicks him out. On the street at night, Rio finds a homeless shelter, but the female supervisor (Jo Young) tries to sexually molest him until a protector comes along. Director Silva (“The Maid”) has a lively style but subtlety is not a strong suit. The same can be said for, whose “Love of Love” is a very clean celebration of sexual subversion. Younger daughter Mio (Ami Tomite) is engaged to Shota (Dai Hasegawa), but they’re not giving up their wild side, scandalizing her married sister Sayaka (Yuki Sakurai).

That is, until Mio brings Sayaka and her husband Takuya (Eita Okuno) to the Love of Love sex club, where pleasure and fulfillment are enjoyed by all. There’s nothing genuinely outre in Sono’s conception, just a candy-colored fantasy evocation of sexual hijinks, and while it’s all mildly amusing, the emphasis is on the mild. Film Review: 'Madly' Reviewed at Tribeca Film Festival (International Narrative Competition), April 15, 2016. Running time: 106 MIN. Production: (U.S.-U.K.-India-Australia-Argentina-Japan) A Viacom Media Networks production, in association with Rei Cine, Cowboy Films, Scarlett Pictures, Phantom Films, Diroriro, Nikkatsu Corporation, Django Film.

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